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A week later, when The Times made tens of thousands of copies available for sale online, they sold out in hours. 18 and 19, readers all over the country complained of having to visit multiple newsstands before they could find a copy. The weekend it was available in print, Aug.

Initially, the magazine issue was greeted with an enthusiastic response unlike any we had seen before. Kruse, Khalil Gibran Muhammad and Bryan Stevenson, all focused on the enduring impacts of slavery and racism and the contributions of Black Americans to our society. This argument was supported by 10 works of nonfiction - an opening essay by Nikole, followed by works from the journalists Jamelle Bouie, Jeneen Interlandi, Trymaine Lee, Wesley Morris and Linda Villarosa and the scholars Matthew Desmond, Kevin M. The 1619 Project made the provocative case that the start of the African presence in the English North American colonies could be considered the moment of inception of the United States of America. Du Bois wrote in 1903, and it is difficult to argue against extending his point through the century to follow, one that featured a Black civil rights struggle that transformed American democracy and the birth of numerous Black art forms that have profoundly influenced global culture. “Around us the history of the land has centered for thrice a hundred years,” W.E.B.

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(It also could be said to mark the earliest beginnings of what would become American democracy: In July of that year, just weeks before the White Lion arrived in Point Comfort with its human cargo, the Virginia General Assembly was called to order, the first elected legislative body in English America.)īut the argument for 1619 as our origin point goes beyond the centrality of slavery 1619 was also the year that a heroic and generative process commenced, one by which enslaved Africans and their free descendants would profoundly alter the direction and character of the country, having an impact on everything from politics to popular culture. But 1619 marks the earliest beginnings of what would become this system. It was not until the late 1600s that slavery became codified with new laws in various colonies that firmly established the institution’s racial basis and dehumanizing structure. Identifying the start of such a vast and complex system is a somewhat symbolic act. So many of our traditions and institutions were shaped by slavery, and so many of our persistent racial inequalities stem from its enduring legacy. The reasoning behind this is simple: Enslavement is not marginal to the history of the United States it is inextricable.

That project made a bold claim, which remains the central idea of the book: that the moment in August 1619 when the first enslaved Africans arrived in the English colonies that would become the United States could, in a sense, be considered the country’s origin. This book, which is called “The 1619 Project: A New Origin Story,” arrives amid a prolonged debate over the version of the project we published two years ago. Next week we are publishing a book that expands on the magazine issue and represents the fullest expression of her idea to date. Following that January meeting, she led an editorial process that over the next six months developed the idea into a special issue of the magazine, a special section of the newspaper and a multiepisode podcast series. This was a running joke, but it was also a reflection of how Nikole had been cultivating the idea for what became the 1619 Project for many years. Sometimes, reading a draft of one of her articles, I’d ask if she might include even more history, to which she would remark that if I gave her more space, she would be happy to take it all the way back to 1619. As an investigative journalist who often focuses on racial inequalities in education, Nikole has frequently turned to history to explain the present. This wasn’t the first time Nikole had brought up 1619.

My notes from the meeting simply say, “NIKOLE: special issue on the 400th anniversary of African slaves coming to U.S.,” a milestone that was approaching that August. 28, 2019, Nikole Hannah-Jones, who has been a staff writer at The New York Times Magazine since 2015, came to one of our weekly ideas meetings with a very big idea.

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